Showing posts with label protestant. Show all posts
Showing posts with label protestant. Show all posts

Wednesday, February 20, 2008

The Protestants weigh in

Christian Century
21 August 2007
Worshiping with Agatha Christie by Carol Zaleski

WHAT WOULD Agatha Christie Do? In 1971 she put her name on a petition urging the conservation of an endangered species: the traditional Latin mass, threatened with extinction in the aftermath of Vatican II. The petition noted that the preconciliar mass, a thing of beauty in its own right, was the inspiration for countless works of poetry, philosophy, music and other arts throughout the centuries. Intervening, as UNESCO might, to safeguard an intangible cultural treasure, the petition asked the Holy See to consider "the appalling responsibility it would incur in the history of the human spirit were it to refuse to allow the Traditional Mass to survive, even though this survival took place side by side with other liturgical forms."

There were 56 other signatories, among them Nevill Coghill and Colin Hardie of C. S. Lewis's Inklings circle; Maurice Bowra, the Oxford don whose humorous assaults on priggishness are the stuff of legend; Kenneth Clark, the television face of Civilisation; "Liberal Lion" Jo Grimond; abstract sculptor Barbara Hepworth; Welsh modernist poet David Jones; literary critic F. R. Leavis; Whiskey Galore novelist Compton Mackenzie; the 17th Duke of Norfolk; the Earl of Oxford and Asquith; Ralph Richardson; Yehudi Menuhin; Nancy Mitford; Robert Graves; Kathleen Raine; Graham Greene; Iris Murdoch. The list includes cradle Catholics, Catholic converts, Protestants, Anglicans, Jews and nonreligious humanists.

The petition made it to the desk of Pope Paul VI. There is a story, probably apocryphal, that he said, "Ah, Agatha Christie!" and promptly agreed that the 1962 form of the Roman Rite could be used in England and Wales on special occasions. This concession is known informally as the "Agatha Christie Indult." John Paul II extended the privilege, and now Pope Benedict, in his motu proprio of July 7, has seen to it that Agatha Christie's wish can be granted wherever her mysteries are read. The 1962 revision of the Tridentine Mass, published by John XXIII, is to be the "extraordinary form" of the Roman Rite, while the postconciliar mass, usually celebrated in local languages, remains the "ordinary form" of the Roman Rite. On the face of it this would seem to be a liberalization of current practices rather than, as some critics call it, a retraction of Vatican II.

Despite confusion about this in the media, it's not a question of bringing back Latin. The official version of the postconciliar mass is in Latin. When students ask me where they can go to experience a Latin mass, I point them to the thoroughly modern Benedictine monastery down the road, where the postconciliar mass is sung beautifully in Latin Gregorian chant, with the priest facing the people, scriptural readings in English and no ladies looking prim in lace mantillas.

Why, then, all the fuss? It goes back to the contested legacy of the Liturgical Movement, a renewal effort which spread beyond its 19th-century roots in the Benedictine monasteries of Europe and drew Christians of all communions into a search for ways to deepen participation in the sacramental mysteries of Christ. The hallmark of the Liturgical Movement was the recovery of patristic sources. As this movement took on ecumenical proportions, the effect was to raise awareness throughout the Christian world of the beauty and dignity of ordered celebration of the Eucharist, liturgical seasons and canonical hours of common prayer. The pioneers of the Liturgical Movement sought a balance between word and sacrament, immanence and transcendence, private devotion and communal fellowship. They favored organic development, not rupture with the past. The same principles animated the renewal proposed by Vatican II. Unity-in-diversity--not uniformity--was the watchword.

For some who find fault with the recent motu proprio, however, it seems that nothing short of uniformity will satisfy. Those who regard the mass of Paul VI as invalid and those who thoroughly reject the Tridentine Mass are likely to suffer in equal measure the disappointment of realizing that their vision of liturgical correctness will not prevail.

For my part, when I've been to a Tridentine Mass, I've been sensible of a certain awkwardness, as if I might use the wrong spoon, so to speak, or drink out of the finger bowl. But I remember seeing a photograph of the old mass being celebrated on a World War II battlefield. The soldiers kneel behind a priest who himself kneels before a rock-hewn altar covered by a simple cloth. It's not that the priest has turned his back to the people; one sees immediately he is praying in unison with the soldiers, facing east, as his fellow servants serving the crucified Lord on the plain of their peril. There is no privatistic mysticism in wishing to see such usages restored.

Best of all will be the opportunity for growth in both forms of the Roman Rite, by means of their mutual influence. The aspic will be melted off the Tridentine Mass, the fussiness will pass away, as it is celebrated in light of the communion ecclesiology and pastoral warmth of Vatican II. By the same token, the postconciliar mass will gain in solemnity and fidelity to its Latin original, provoking, it may be hoped, a renewed sense of the mystery at the heart of Christian worship. Such developments should be reason enough for all Christians--indeed, for all who care for the poetry, music and drama of the Western religious imagination--to rejoice in diverse tongues. It's a door thrown open, not a clock turned back.

Carol Zaleski is professor of world religions at Smith College.

Wednesday, November 28, 2007

Baptist preacher agrees with Pope Benedict!

H/t to The Recovering Choir Director.

So Catholic Churches have major problems with music as do many evangelical and fundamental churches although the generational perpetrators are reversed. In Catholic Churches, the bad guys are older, more mature, well ensconced musicians who are supported by rebellious priests. They won’t surrender without a fight.

In Bible-oriented churches, the perpetrators are usually young men who like trendy, light music that compares to kumbaya. Often the lyrics don’t offend but neither do they teach, inspire, or motivate us to godliness. But what is lost in value they make up for it in volume. As Rick Warren says of his church music, “It is loud, very loud.” Scuttlebutt says that sometimes it is so loud, it breaks street lights a block away.

Monday, October 01, 2007

The miasmal excrescences of Marty Haugen and David Haas

A converting Episcopalian has the following parting remarks. H/T to Fr. Z.

So it’s off to Rome for me. I do not labor under the illusion all is milk and honey on the other side of the Tiber. It is not, the Roman Catholic Church, especially in the United States, is beset with woes, lousy liturgy and music being among the less egregious. But the Holy Catholic Church possesses something the Episcopal Church does not: sound doctrine, along with a Pope (especially the present one) and magisterium to ensure that it remains so. Sound doctrine will make it possible for me (I pray) to tolerate Masses where the priest sits in the Captain Kirk chair while the miasmal excrescences of Marty Haugen and David Haas waft into the nave. And while my heartbreak over what happened to the Episcopal Church will remain with me to the end of my days (as I suspect it will for Fr. Kimel), at the same time I look forward with great joy to embracing the full Catholic Faith. I ask your prayers.

Saturday, September 29, 2007

The beginning of the end

Compare this video:

to this video:


I think the producers of Sister Act got their idea from the first video.

H/T to Gerald

Saturday, March 10, 2007

Clergyman vs. choir in the news

As some side reading for choir enthusiasts here, here's something from The Times. Can any of you imagine Shine Jesus Shine being compared to those glorious Anglican-styled renditions of psalms and anthems? Pathetique....

Hat tip to Zadok the Roman.

Saturday, February 17, 2007

The issue of hymns

I was reading the latest issue of the Kuala Lumpur archdiocesan newspaper HERALD of Feb 18, 2007, and chanced upon a letter to the editor written by an IJ nun. To Chinese readers of this blog, you may be familiar with the Chinese New Year tune Kong Si, Kong Si Nee Yah. Guess what? This sister composed a new set of lyrics to go with that tune. Here they are:

1. Let us come together
Wishing one another,
"Happy prosperous New Year"
As we greet and sing

Chorus: Kong Si, Kong Si!
Kong Si Nee Ya!
Kong Si, Kong Si, Kong Si Nee!

2. It's the time to give Thanks
To our God Almighty,
For His love and blessings,
As we praise and sing

3. It's the time of Reunion
With our dear family
Bonding and renewing ties,
As we dine together

Aargh.... my ears... they hurt! There are more.... but you do get the picture, right? I hope those liturgists at our local Novus Ordo parishes don't get funny ideas to use this during the Chinese New Year mass. (shudder)

This brought back some memories (not of the very good kind) when I was still attending Novus Ordo masses. I remembered we used to sing "Morning has broken" which was popularised by Cat Stevens (now Yusuf Islam) as the entrance song (yes, these are rightfully not hymns!). Then there's "Sing a song of joy" to that famous tune by Beethoven. Not to mention "A Mighty Fortress Is Our God" plus another which was outright heretical.

Now, you may wonder what's wrong with "A Mighty Fortress Is Our God"? Other than the fact that it was composed by Martin Luther, it is actually a fine hymn. However, it is the battle song of the Protestant Deformation, and it was said that the "ancient foe,....on Earth is not his equal" referred to in the lyrics was intended by Luther to refer to the Pope. Here's a fine article on hymnody that yours truly agrees with mostly, except for the part on "A Mighty Fortress Is Our God".

Protestant Hymns

Get a group of Tridentine Mass devotees together, and sooner or later the subject of hymnody is sure to come up. Even among otherwise likeminded individuals, differences of opinion are sure to arise on the choice of music sung at Mass.

Let’s frame this discussion by identifying what is universally acceptable and unacceptable at a Traditional Latin Mass. We have mentioned in a previous column that an Offertory Hymn must be in Latin, as rubrics prescribe Latin to be used for anything “inside” the Mass. Essentially all Latin hymns are acceptable, as the relatively few that exist have long been used in the Mass. That leaves the Entrance and Recessional Hymns open to (but not requiring) the vernacular.

It’s easy to identify what is unacceptable: Many modern hymns cannot pass muster because of: 1) Cocktail-lounge melody (e.g.: “Be Not Afraid”); 2) Pop music style (“All Are Welcome”); 3) Lyrics excessively focused on oneself and not God (“Gather Us In”); 4) Presumptuous “Voice of God” lyrics (“I Am the Bread of Life”); 5) Lyrics that dilute or skirt true Catholic theology (“Gift of Finest Wheat”).

Likewise, it is easy to identify hymns that just “feel” Catholic, either through their longstanding use in Catholic liturgy (“Holy God, We Praise Thy Name”), or by their impeccably Catholic lyrics (“Hail, Holy Queen Enthroned Above”).

Differences in taste enter into the picture with certain Catholic hymns. Some consider “On This Day, O Beautiful Mother” and its May crowning ilk too sappy. But popular demand has resulted in their being played nonetheless.

Then there are the so-called “Protestant” hymns. This term means different things to different people. Virtually everyone agrees that “Amazing Grace” is a Protestant hymn, for example. It has Baptist origins, and its lyrics speak of a clearly non-Catholic theology, that of salvation by grace alone. It may be a fine hymn, far less offensive that some modern compositions used in Catholic parishes, but it is inappropriate for the Traditional Latin Mass.

Debate eventually seems to settle on one hymn in particular: “A Mighty Fortress Is Our God”. This hymn was composed by Martin Luther, father of the Protestant Reformation. As a result, to many, it is the quintessential Protestant hymn. However, on closer examination, its lyrics express nothing opposed to Catholic teaching. They speak of the reality of Hell, something many Catholics should contemplate more. Furthermore, its melody is as formal and inspirational as any “acceptable” Catholic hymn.

The previously discussed remarkable music program of the Boston Archdiocesan Choir School at St. Paul Church in Cambridge, Massachusetts regularly performs “A Mighty Fortress” and has included it in the hymnal they publish, Hymns, Psalms, and Spiritual Canticles. If liturgical music scholars such as Ted Marier and John Dunn consider this hymn acceptable, that is strong endorsement for the rest of us to use it. (Editor's Note: Such an argument is not acceptable, see above for explanation.)

Other hymns that make some people uncomfortable include “Lift High the Cross”, “O God, Our Help In Ages Past”, and “When I Survey the Wondrous Cross”, because their composers and/or lyricists were Anglicans. Like “A Mighty Fortress”, these hymns say nothing contrary to Catholic teaching; since their authors’ names are not readily recognized, thus they are often used in Catholic settings. They are not “flagship” Protestant hymns and thus don’t raise eyebrows like Luther’s masterpiece. We use such hymns frequently.

A recent discussion thread on the Catholic Answers Liturgy Forum points out that even some of the hymns thought of as clearly Catholic actually have Protestant origins. For example, “Holy, Holy, Holy”, “O Sacred Head Surrounded”, and “Hark! The Herald Angels Sing” have melodies, lyrics, or both composed by Protestants. Yet those hymns express Catholic beliefs more clearly than many of the modern hymns composed by the “St. Louis Jesuits”. If we ruled out the use of any hymn by a Protestant author, we might end up with a very small selection, indeed…a greater problem.

Things get all the more confusing when we consider that Johann Sebastian Bach, composer of so many great and inspiring organ preludes, fugues, and toccatas, was not Catholic. Virtually every Tridentine Mass site makes extensive use of Bach’s works. And some of his pieces were absolutely meant for Catholic use, for example his Magníficat. Are we to walk away from his vast body of work just because of his faith?

Extending the thought, should we even be in the church edifice we are in, when non-Catholics participated in its building? Of course not. We must draw boundary lines in reasonable places. Our music program endeavors to employ the best hymnody available to us. “A Mighty Fortress” is an excellent hymn which we would like to add to our rotation. But at the same time, we do not wish to upset or scandalize anybody by its use. So far, we have resisted using it, but perhaps we are overreacting. For all we know, some of you may want us to use it. Come up to the choir loft after Mass and let our organist know your thoughts on this matter, pro or con. Whether or not we eventually use “A Mighty Fortress”, rest assured that we intend to employ solely music that expresses the undiluted truths of the Holy Catholic Faith, regardless of its origin. (Editor's Note: If Sacred Heart Choir sings that, it would be over my dead body!)

Source: http://detroitlatinmass.org/jospht/012107.pdf